English is a language spoken all over the world. It is spoken even by millions of people whose mother language is anotherone. That's maybe one reason why English is a language with such a fast and big evolution. Yes, it's true. English is changing everyday and it has changed all history long. There are everyday new words, expressions and pronunciations and it happens withou us noticing about it. Some of this new vocabulary is produced by joining different words. Some other words are originated when you use prefixes understood in other contexts in a new but logical way.
These sort of words are called SLANG. Some people believe they're quite harmful for the language.
However, Slang language is becoming very useful nowadays. Everybody uses these kind of words like hangry, adorkable, YOLO, LOL...
Slang language helps us create new concepts and ideas, but there's a lot of slang vocabular in English language. How can we know if a slang word is real and usable? Maybe, you'll be told something like:"If the word isn't in the dicionary, it doesnt exist" How can dicionary editors know every single word in English if it's changing everyday? The question is what makes a word real?
Well, probably the truthis that a word becomes real as soon as aome people can use it and understand it. Personally, I think English is a very rich language and very functional because thanks to this phenomenon we call slang and some other tools which help us originate new words, we can communicate new ideas and concepts which other languages cannot. That's why, thanks to these language mechanisms we can originate neologisms wich doesn't sound in uch a technical way and can be understood by everyone.
This is my message: I encourage you to use the language in the most fascinating way you can without worrying about the rules. English is a language you can play with, not a scienc wich establishes some new rules. We’re human. We love to play with words in creative ways. And in the process, we change the language.
Here, you can hear a speech given by Anne Curzan speaking about this phenomenon.
It's all grist to the mill
Friday, 20 June 2014
Saturday, 17 May 2014
Shakespeare’s Novel Neologisms We Still Use
In honor of William Shakespeare, I’d like to share some words popularized by the Bard himself. Shakespeare died on April 23rd and was baptized on April 26th; his actual birth date remains unknown.We hesitate to definitively say that Shakespeare coined the following terms. While that may be the case, it’s hard to know for sure that the list below contains terms invented by the beloved playwright. These words may have been in conversational usage when he committed them to the page, or they may have previously appeared in the writings of his less-prominent contemporaries. Whether or not these words are Shakespeare coinages, the plays of Shakespeare indubitably brought many novel words and phrases to the universal consciousness of English speakers worldwide. The continued popularity of Shakespeare’s writing keeps 16th- and 17th-century words alive that might have otherwise faded into obscurity.
bedazzle: to impress forcefully, especially so as to make oblivious to faults or shortcomings: Audiences were bedazzled by her charm.
foul-mouthed: sth using obscene, profane, or scurrilous language; given to filthy or abusive speech.
bedroom: (Noun:) a room furnished and used for sleeping.
(adjective):concerned mainly with love affairs or sex: The movie is a typical bedroom comedy.
(adjective): Sexually inviting; amorous: bedroom eyes.
swagger: to walk or strut with a defiant or insolent air.
well-bred: well brought up; properly trained and educated: a well-bred boy.
champion: a person who has defeated all opponents in a competition or series of competitions, so as to hold first place: the heavyweight boxing champion.
droplet: a little drop.
pageantry: pageants collectively//spectacular display; pomp: the pageantry of a coronation.(SYN: spectacle, ceremony, show. )
inaudible: not audible; incapable of being heard.
eyeball: the ball or globe of the eye.
Friday, 16 May 2014
Swimming with monsters
Cristina Mittermeier duck-dives deep under a large wave to avoid getting tossed around by the immense energy generated by the ocean. Makaha Beach, West Oahu, Hawaii |
As an experienced ice diver with hundreds of immersions in challenging conditions, what surprised me most about swimming in the Hawaiian big waves was not the raw power of the water—water that crashes with enough force to toss you around helplessly, like a rag doll, limbs flailing, leaving you with your head spinning, disoriented, wondering which way is up. It was also not the fear of the jagged reef, waiting to shred you, only a few feet below the surface; or the real possibility of being taken “over the falls” and slammed on the bottom with such force, that broken bones and the likelihood of drowning become all too real. The most surprising thing was how incredibly beautiful and peaceful it is to dive under those big waves…if you first learn how to do it right. Looking up from underneath a wave is like looking through a moving painting—an undulating, shifting kaleidoscope of blue hues.
I admit that initially, the sounds and sights of those big waves were humbling and even scary but I knew I had to face them if I was to make powerful and striking images. Standing on the beach, staring at the large faces of the waves rise up on the reef and slam with such force that it actually made the ground shake, I couldn’t help but wonder just how to safely swim out into the surf to make beautiful, creative images that would help tell the story of the Hawaiian people and their connection to the sea. The thought of swimming into these waves made me feel nervous and humbled.
A surfer bails out of a huge Pipeline wave on the North Shore of Oahu, avoiding a certain beating. |
Just when I was about to talk myself out of doing this assignment, I met a real Hawaiian legend and master waterman who taught me what I needed to know not just to survive, but to truly enjoy the power of the sea. My teacher, Brian Keaulana, a big wave surfing champion, Hollywood stunt actor and director, and the son of “Buffalo” Keaulana, a pure blood Hawaiian who to this day is considered by many to be the best body surfer in history and was the first lifeguard in Makaha, took me by the hand and patiently shared with me his love and passion for the sea.
Children are taught how to understand and enjoy the powerful surf on Oahu’s beaches from a very young age. Makaha Beach, West Oahu, Hawaii |
Brian’s knowledge goes back to his childhood and years of tutelage by his father, whose most important lesson is not to fear the ocean, but to understand and respect it. Over a lifetime of being in the water, Brian has developed many techniques and innovations to save lives. He was the first to use a jet ski as a water safety tool; he developed an ocean risk-management program and underwater defense training that is taught to everyone, from the best surfers to Navy Seals, police and firefighters—and to every kid in his home beach of Makaha. Perhaps his biggest contribution is the expertise he shares, often for free, with lifeguards locally and worldwide. It is not an exaggeration to say that thanks to Brian, tens of thousands of lives have been saved.
As I watched Hawaiian parents toss their very young children, as young as two and three years old, into the waves at Makaha Beach, Brian talked to me patiently about how to read the currents, how to predict where the waves would break, how to understand the rip tide, and most importantly, how to use the power of the sea to my advantage. Conditions change day-to-day and hour-to-hour. Brian taught me that in Hawaii, it is not if, but when you will get-dragged out to sea by the powerful rip tides, so knowing how to rescue yourself is a matter of life and death. Knowledge is power and the most important lesson is to not panic.
On a day when the waves were particularly scary he asked, “How long can you hold your breath for? If every breaking wave lasts 10 seconds with 12 seconds in between and you can hold your breath for a whole minute, that means you can survive a set of two or three waves. Don’t panic, swim to the bottom, where the energy of the wave is less and look up for a place where light pierces the foam cloud. That is where you swim to the surface.”
His advice and his constant teachings proved incredibly useful on many, many occasions and as the weeks went by and my fitness and confidence levels increased, swimming out into the waves became a fun, spirit-lifting journey and I was finally able to concentrate on making pictures and not just surviving.
In early winter, the big surf finally arrived at Makaha. These are the famous North waves that wrap around Oahu and rise up on the west side, sometimes as high as 40 feet. This is what we had been waiting for.
On the last week of the assignment I went down to the beach with Cristina. We looked at those big waves and smiled because we knew we were ready. What we didn’t know is that this would be a magical day for photography. We jumped in the water and noticed right away that the water was very clear. As local surfers and paddle boarders raced towards us, we duck-dived to the bottom and let the large waves dissipate their energy in a massive and beautiful foam cloud above us.
During one particularly large wave, I dove to the bottom and looked over my shoulder. There was Cristina in perfect position arched back, looking up at surface, counting the seconds, looking up for that window through the foam pile to get to the surface. I took the photograph to record a moment but it turned out to be one of my favorite images in the coverage. It showed both the beauty and the power of the sea.
The images speak for themselves and the lessons, which will last a lifetime and will serve us well on future assignments, are the real reward of this story.
Paul Nicklen and Cristina Mittermeier, his partner and assistant, spent several months photographing indigenous Hawaiian surf culture for an upcoming story inNational Geographic magazine. Nicklen spoke to Proof previously about his experience getting to know the community, which you can read here. You can also hear about his passion for photography in his video interview, here.
Why is curiosity so important?
Albert Einstein: The important thing is not to stop questioning… Never lose a holy curiosity.
Curiosity is an important trait of a genius. I don’t think you can find an intellectual giant who is not a curious person. Thomas Edison, Leonardo da Vinci, Albert Einstein, Richard Feynman, they are all curious characters. Richard Feynman was especially known for his adventures which came from his curiosity.
But why is curiosity so important? Here are four reasons:
It makes your mind active instead of passive
Curious people always ask questions and search for answers in their minds. Their minds are always active. Since the mind is like a muscle which becomes stronger through continual exercise, the mental exercise caused by curiosity makes your mind stronger and stronger.
It makes your mind observant of new ideas
When you are curious about something, your mind expects and anticipates new ideas related to it. When the ideas come they will soon be recognized. Without curiosity, the ideas may pass right in front of you and yet you miss them because your mind is not prepared to recognize them. Just think, how many great ideas may have lost due to lack of curiosity?
It opens up new worlds and possibilities
By being curious you will be able to see new worlds and possibilities which are normally not visible. They are hidden behind the surface of normal life, and it takes a curious mind to look beneath the surface and discover these new worlds and possibilities.
It brings excitement into your life
The life of curious people is far from boring. It’s neither dull nor routine. There are always new things that attract their attention, there are always new ‘toys’ to play with. Instead of being bored, curious people have an adventurous life.
Now, knowing the importance of curiosity, here are some tips to develop it:
1. Keep an open mind
This is essential if you are to have a curious mind. Be open to learn, unlearn, and relearn. Some things you know and believe might be wrong, and you should be prepared to accept this possibility and change your mind.
2. Don’t take things as granted
If you just accept the world as it is without trying to dig deeper, you will certainly lose the ‘holy curiosity’. Never take things as granted. Try to dig deeper beneath the surface of what is around you.
3. Ask questions relentlessly
A sure way to dig deeper beneath the surface is asking questions: What is that? Why is it made that way? When was it made? Who invented it? Wheredoes it come from? How does it work? What, why, when, who, where, and howare the best friends of curious people.
4. Don’t label something as boring
Whenever you label something as boring, you close one more door of possibilities. Curious people are unlikely to call something as boring. Instead, they always see it as a door to an exciting new world. Even if they don’t yet have time to explore it, they will leave the door open to be visited another time.
5. See learning as something fun
If you see learning as a burden, there’s no way you will want to dig deeper into anything. That will just make the burden heavier. But if you think of learning as something fun, you will naturally want to dig deeper. So look at life through the glasses of fun and excitement and enjoy the learning process..
6. Read diverse kinds of reading
Don’t spend too much time on just one world; take a look at another worlds. It will introduce you to the possibilities and excitement of the other worlds which may spark your interest to explore them further. One easy way to do this is through reading diverse kinds of reading. Try to pick a book or magazine on a new subject and let it feed your mind with the excitement of a new world.
Tuesday, 29 April 2014
Skimo words for snow
The skimo tribes, are not usally keen on the idea of being called skimo. Instead of this, they prefer the word Inuit because in their own language, skimo means cannibal. No matter what name are they called by, the inuit language has shown its increadible variety of vocabulay in many ocasions. Take the word igloo as an example. It is an Inuit word adapted to not only English but several other languages as well.
As you may have proably found out, the inuit language is a language which has a lot of technical words about extremely cold weather conditions. Therefore, the inuit language has about 50 WORDS refering to "snow"!!!
I found an article on The Washington Post which talks about this amazing fact:
As you may have proably found out, the inuit language is a language which has a lot of technical words about extremely cold weather conditions. Therefore, the inuit language has about 50 WORDS refering to "snow"!!!
I found an article on The Washington Post which talks about this amazing fact:
There really are 50 Eskimo words for “snow”
Nicholas
Roemmelt: The Sami people, who live in the northern tips
of Scandinavia and Russia, have as many as 1,000 words for “reindeer.”
Anthropologist
Franz Boas didn’t mean to spark a century-long argument. Traveling through the
icy wastes of Baffin Island in northern Canada during the 1880s, Boas simply
wanted to study the life of the local Inuit people, joining their sleigh rides,
trading caribou skins and learning their folklore. As he wrote proudly to his
fiancée, “I am now truly like an Eskimo. . . . I scarcely eat any European
foodstuffs any longer but am living entirely on seal meat.” He was particularly
intrigued by their language, noting the elaborate terms used to describe the
frozen landscape: “aqilokoq” for “softly falling snow” and “piegnartoq” for
“the snow [that is] good for driving sled,” to name just two.
Mentioning
his observations in the introduction to his 1911 book “Handbook of American
Indian Languages,” he ignited the claim that Eskimos have dozens, or even
hundreds, of words for snow. Although the idea continues to capture public
imagination, most linguists considered it an urban legend, born of sloppy
scholarship and journalistic exaggeration. Some have even gone as far as to
name it the Great Eskimo Vocabulary Hoax. The latest evidence, however,
suggests that Boas was right all along.
This debate
has rumbled on partly because of a grammatical peculiarity of the Eskimo family
of languages. Boas studied Inuit, one of the two main branches; the other is
Yupik. Each has spawned many dialects, but uniting the family is a feature
known as polysynthesis, which allows speakers to encode a huge amount of
information in one word by plugging various suffixes onto a base word.
For
example, a single term might encompass a whole sentence in English: In Siberian
Yupik, the base “angyagh” (boat) becomes “angyaghllangyugtuqlu” to mean “what’s
more, he wants a bigger boat.” This makes compiling dictionaries particularly
difficult: Do two terms that use the same base but a different ending really
represent two common idioms within a language, or is the difference simply a
speaker’s descriptive flourish? Both are possible, and vocabulary lists could
quickly snowball if an outsider were to confuse the two — a criticism often
leveled at Boas and his disciples.
Yet Igor
Krupnik, an anthropologist at the Smithsonian Arctic Studies Center in
Washington, believes that Boas was careful to include only words representing
meaningful distinctions. Taking the same care with their own work, Krupnik and
others charted the vocabulary of about 10 Inuit and Yupik dialects and
concluded that they indeed have many more words for snow than English does.
Central
Siberian Yupik has 40 such terms, while the Inuit dialect spoken in Canada’s
Nunavik region has at least 53, including “matsaaruti,” for wet snow that can
be used to ice a sleigh’s runners, and “pukak,” for the crystalline powder snow
that looks like salt.
For many of
these dialects, the vocabulary associated with sea ice is even richer. In the
Inupiaq dialect of Wales, Alaska, Krupnik documented about 70 terms for ice that
mark such distinctions as: “utuqaq,” ice that lasts year after year;
“siguliaksraq,” the patchwork layer of crystals that forms as the sea begins to
freeze; and “auniq,” ice that is filled with holes, like Swiss cheese.
It is not
just the Eskimo languages that have colorful terms to describe their frosty
surroundings: The Sami people, who live in the northern tips of Scandinavia and
Russia, use at least 180 words related to snow and ice, according to Ole Henrik
Magga, a linguist in Norway. (Unlike Inuit dialects, Sami ones are not
polysynthetic, making it easier to distinguish words.)
Many words
for reindeer, too
The Sami
also have as many as 1,000 words for reindeer. These refer to such things as
the reindeer’s fitness (“leami” means a short, fat female reindeer),
personality (“njirru” is an unmanageable female) and the shape of its antlers
(“snarri” is a reindeer whose antlers are short and branched). There is even a
Sami word to describe a bull with a single, very large testicle: “busat.”
This kind
of linguistic exuberance should come as no surprise, experts say, since
languages evolve to suit the ideas and needs that are most crucial to the lives
of their speakers. “These people need to know whether ice is fit to walk on or
whether you will sink through it,” says linguist Willem de Reuse at the
University of North Texas. “It’s a matter of life or death.”
“All
languages find a way to say what they need to say,” says Matthew Sturm, a
geophysicist with the Army Corps of Engineers in Alaska. For Sturm, it is the
expertise these words contain that is of most interest, rather than the
squabble about the number of terms. “These are real words that mean real
things,” he says.
Sturm is
particularly admiring of Inuit knowledge of the processes that lead to different
snow and ice formations, mentioning one elder who “knew as much about snow as I
knew after 30 years as a scientist.” In Sturm’s opinion, documenting this
knowledge is far more important than finding out exactly how many words for
snow there are.
Others also
recognize the urgency of this work. As many indigenous people turn away from
their traditional lifestyle, the expertise encapsulated in their vocabulary is
fading. That is why researchers such as Krupnik are trying to compile and
present their dictionaries to the local communities, as lasting records of
their heritage.
“Boas only
recorded a small fragment of the words available,” Krupnik says. In the
intervening century, much has been lost. “At his time there would have been
many more terms than there are today.”
By David
Robson | New Scientist, Published: January 14, 2013
Saturday, 19 April 2014
The perfect allegorie for love
- What is love for you?
- How would you represent it?
Whether you thought the questions were difficult, don't worry. It looks like Katy Perry, the Californian singer has finally made up an idea which has been her inspiration to her videoclip: Unconditionally. As you could have easily predicted, the singer talks about a relationship where one of the lovers (the singer herself) promises to love the other on unconditionally. Are you wondering if id this a true feeling? Well, we never know, but her idea of love looks very realistic although, actually, it's hard to get it at the beginning!
Now, have a look at the lyrics:
Oh no, did I get too close?
Oh, did I almost see what's really on the inside?
All your insecurities
All the dirty laundry
Never made me blink one time
Unconditional, unconditionally
I will love you unconditionally
There is no fear now
Let go and just be free
I will love you unconditionally
Come just as you are to me
Don't need apologies
Know that you are worthy
I'll take your bad days with your good
Walk through the storm I would
I do it all because I love you, I love you
Unconditional, unconditionally
I will love you unconditionally
There is no fear now
Let go and just be free
I will love you unconditionally
So open up your heart and just let it begin
Open up your heart and just let it begin
Open up your heart and just let it begin
Open up your heart
Acceptance is the key to be
To be truly free
Will you do the same for me?
Unconditional, unconditionally
I will love you unconditionally
And there is no fear now
Let go and just be free
'Cause I will love you unconditionally (oh yeah)
I will love you (unconditionally)
I will love you
I will love you unconditionally
Did you understand it all? Probably not. Anyway, here you have a news article from MTV which can help us clear up our minds.
Katy Perry cited "Dangerous Liaisons" and
"Anna Karenina" as two of the inspirations for her dreamy "Unconditionally" video, which she premiered during
"MTV First: Katy Perry 'Unconditionally'" on Tuesday.
But, those
movies are just jumping-off points for the video. MTV News chatted with
director Brent Bonacorso, who dished on what he wanted to capture in the video.
"When
she sings this song she doesn't sing it lightly. This love that she speaks of
is like a force of nature, epic storm and a tempest, and that's definitely
something I wanted to capture," he said, adding that he wanted to capture
a "more mysterious, elegant and sophisticated world to live in... less
about a time period and more about creating an impression and a feeling."
That
"feeling" is expressed using various unforgettable images, including
a car crash and setting a bed on fire. But, what does it all mean? Well, he
revealed all.
'Unconditionally'
Video Expresses Power Of Love And Beauty
Crash
Into Love
At one
point, Katy gets hits by a car, a visual metaphor for the power of true love.
"One of the key images that I think was pivotal in the video and just a
very important concept to me. I once described the experience of falling in
love like being hit by a car; suddenly your world is just so violently and
dramatically changed. It hits you out of the blue," Bonacorso explained.
"I shared this with Katy and she really loved that concept and really
identified with it immediately, that she felt the same way."
Sex On
Fire?
Fire and
snow are two elements that play important roles in the video. And no image is
as arresting as seeing a bed get lit on fire in the middle of a party.
"And then we talked about how love can burn you like an inferno, like it's
this fire inside you that you just have to let out," he said. "And,
so she was really identifying with these concepts, and I think perhaps from her
own experiences, she felt that those worked for her world and her
experiences."
Flower
Power
Not only
does Katy get hit by a car, but she's surrounded by a tornado of colorful
flowers. Those two images are related to one another, Bonacorso notes.
"It's
a symbol of just joy that kind of joy in love, that explosion of color,
explosion of wonderful things. The car crash and the kind of flower crash happen
simultaneously," he said. "And the car crash obviously represents the
sudden almost violent nature of love when it really gets its hooks into you and
really changes your world. And then the flowers kind of represent that joyous
and wonderful, yet still forceful impact of that love when it enters your life.
And so we're kind of playing around with these two crashes. How beautiful and
soft, but still spectacular that could be."
Is This
A Dream?
Katy exists
in two places, alone in the snow and also surrounded by dancers in a fancy
ballroom. Those places are more psychological than physical.
He
explained, "And the idea there is if you go along with non-narrative way
of approaching this particular video, of using these metaphorical allegories to
give this impression of love. Also, each world represents a different part of
the subconscious."
Wise As
An Owl
Katy
befriends an owl in the video. And this winged pal plays a significant part in
the story.
"Symbolically,
again, using these dream-like allegories and there was quite a bit of thought
put into this... but I wanted to create in the mind of the viewer this
impression of unconditional love and the owl is just an undeniably powerful
symbol of something strong, something free and something powerful," he
said. "She lets it go into the world and that literally letting this force
within her go wild. That's an important part of love is that you have to let it
go. I believe there might be an old saying about that."
Wednesday, 16 April 2014
Sweet songs and strong coffee
There’s a dreamy atmosphere to Adjuntas, a coffee town in the Valley of the Sleeping Giant high in the mountains of Puerto Rico. A deep love of the land and its customs runs through this place, where people say their families have lived ‘since forever’ and formal good manners rule daily life. You smell it in the surrounding streets, where food is cooked at roadside barbecues. You see it in the graceful horses paraded through town on holidays and you feel it in the large, elegant square, with its fountains and stone benches. Several decades ago, this love of the land motivated the local people to oppose a massive mining operation. The mountains surrounding Adjuntas are rich with gold, silver, copper and zinc and the Puerto Rican government had reserved about 80 square kilometres for mineral exploitation. People fought to protect the land despite the promise of jobs and money. They were saved by growing coffee and selling it throughout Puerto Rico. The profits helped the group to persuade the government to transform the mining zone into a national park, El Bosque del Pueblo, which is now protected by law. Opened in 1998, the park runs a reforestation programme allowing young and old to plant trees where land has been excavated. ‘Learning to manage the forest has been a kind of reincarnation for us,’ said Tinti Deya, a local resident. ‘It’s another world where we’re like children doing everything for the first time, except in our case we’re grandmothers.’ Grandmothers are everywhere in Adjuntas and they’re all respectfully addressed as Dofia. Lala Echevarria, an 85-yearold great-great-grandmother, was born on the oldest street in town, where she still lives in a small, immaculate home. Dofia Lala grew up before electricity and running water, and remembers when the first car arrived in Adjuntas. ‘As a child, I used to spend all my time carrying water, finding firewood, looking after the chickens and the cows,’ she said. ‘There were sixteen of us. We would wash our clothes in the river and we used to cook on an open fire. At meal times, we kids would sit on the floor to eat.’ Dofia Lala was working as a maid when she met and married the love of her life, Mariano the mechanic. They had thirteen children and shared 44 years before he died in 1983. She shows me the dozens of photographs of four generations of descendants that now fill her tiny home. Traditions in Adjuntas go back centuries to the mountains of ancestral islands such as Mallorca, Tenerife and Corsica. People play the old songs in the countryside and in little shops, like Lauro Yepez’s place where men meet to swap stories and have a drink. When I was there, troubadour Tato Ramos appeared and began to sing in a centuries-old flamenco style. Word spread fast. The shop filled with working-class men clapping, tapping and nodding to the music. Ramos improvised songs about growing coffee, welcoming visitors and ignoring parental advice, all topics requested by shop customers. ‘This is a forgotten art,’ said Yepez. ‘People give him a topic and he composes the song, in proper rhyme, on the spot.’ Later, I played the recording I’d made for my 88-year-old Spanish father, who has Alzheimer’s disease. His dark brown eyes twinkled with recognition. He nodded his head, smiled, and said, ‘Oh yes, this I remember, this I remember ...’
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